Literature

Literature, in its broadest sense, consists of any written productions. More restrictively, it refers to those deemed to have artistic or intellectual value, or which deploy language in ways that differ from ordinary usage. Its Latin root literatura/litteratura (derived itself from littera: letter or handwriting) was used to refer to all written accounts, though contemporary definitions extend the term to include texts that are spoken or sung (oral literature). Literature can be classified according to whether it is fiction or non-fiction and whether it is poetry or prose; it can be further distinguished according to major forms such as the novel, short story or drama; and works are often categorized according to historical periods or their adherence to certain aesthetic features or expectations (genre).

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Poetry is a form of literary art which uses aesthetic and rhythmic qualities of language to evoke meanings in addition to, or in place of, prosaic ostensible meaning.[13] Poetry has traditionally been distinguished from prose by its being set in verse;[a] prose is cast in sentences, poetry in lines; the syntax of prose is dictated by meaning, whereas that of poetry is held across metre or the visual aspects of the poem.[18] Prior to the nineteenth century, poetry was commonly understood to be something set in metrical lines; accordingly, in 1658 a definition of poetry is "any kind of subject consisting of Rythm or Verses".[13] Possibly as a result of Aristotle's influence (his Poetics), "poetry" before the nineteenth century was usually less a technical designation for verse than a normative category of fictive or rhetorical art.[19] As a form it may pre-date literacy, with the earliest works being composed within and sustained by an oral tradition;[20][21] hence it constitutes the earliest example of literature.

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Prose is a form of language that possesses ordinary syntax and natural speech rather than rhythmic structure; in which regard, along with its measurement in sentences rather than lines, it differs from poetry.[18][22] On the historical development of prose, Richard Graff notes that "[In the case of Ancient Greece] recent scholarship has emphasized the fact that formal prose was a comparatively late development, an "invention" properly associated with the classical period".[23]

Novel: a long fictional prose narrative. It was the form's close relation to real life that differentiated it from the chivalric romance;[24][25] in most European languages the equivalent term is roman, indicating the proximity of the forms.[25] In English, the term emerged from the Romance languages in the late fifteenth century, with the meaning of "news"; it came to indicate something new, without a distinction between fact or fiction.[26] Although there are many historical prototypes, so-called "novels before the novel",[27] the modern novel form emerges late in cultural history — roughly during the eighteenth century.[28] Initially subject to much criticism, the novel has acquired a dominant position amongst literary forms, both popularly and critically.[25][29][30]

Novella: in purely quantitative terms, the novella exists between the novel and short story; the publisher Melville House classifies it as "too short to be a novel, too long to be a short story".[31] There is no precise definition in terms of word or page count.[32] Literary prizes and publishing houses often have their own arbitrary limits,[33] which vary according to their particular intentions. Summarising the variable definitions of the novella, William Giraldi concludes "[it is a form] whose identity seems destined to be disputed into perpetuity".[34] It has been suggested that the size restriction of the form produces various stylistic results, both some that are shared with the novel or short story,[35][36] and others unique to the form.[37]

Short story: a dilemma in defining the "short story" as a literary form is how to, or whether one should, distinguish it from any short narrative; hence it also has a contested origin,[38] variably suggested as the earliest short narratives (e.g. the Bible), early short story writers (e.g. Edgar Allan Poe), or the clearly modern short story writers (e.g. Anton Chekhov).[39] Apart from its distinct size, various theorists have suggested that the short story has a characteristic subject matter or structure;[40][41] these discussions often position the form in some relation to the novel.[42]

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Drama is literature intended for performance.[43] The form is often combined with music and dance, as in opera and musical theatre. A play is a subset of this form, referring to the written dramatic work of a playwright that is intended for performance in a theatre; it comprises chiefly dialogue between characters, and usually aims at dramatic or theatrical performance rather than at reading. A closet drama, by contrast, refers to a play written to be read rather than to be performed; hence, it is intended that the meaning of such a work can be realized fully on the page.[44] Nearly all drama took verse form until comparatively recently.

Greek drama exemplifies the earliest form of drama of which we have substantial knowledge. Tragedy, as a dramatic genre, developed as a performance associated with religious and civic festivals, typically enacting or developing upon well-known historical or mythological themes. Tragedies generally presented very serious themes. With the advent of newer technologies, scripts written for non-stage media have been added to this form. War of the Worlds (radio) in 1938 saw the advent of literature written for radio broadcast, and many works of Drama have been adapted for film or television. Conversely, television, film, and radio literature have been adapted to printed or electronic media.

Publication types

Literary genre is a mode of categorising literature. The term originates from French, designating a proposed type or class.[66] However, such classes are subject to change, and have been used in different ways in different periods and traditions.

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Children's literature

Cultural movement for literary movements.

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Ergodic literature

Erotic literature

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Hungryalism

Literature basic topics

Literary agent

Literature cycle

Literary element

Literary magazine

Modern Language Association

Orature

Postcolonial literature

Rabbinic literature

Rhetorical modes

Vernacular literature

World literature

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Literature

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